Senin, 11 April 2011
Minggu, 10 April 2011
It's National Poetry Month!
It's another April here on Tattoosday, which means its another installment of the Tattooed Poets Project. For thirty days in April, we will be featuring the tattoos of poets, along with a sample of their work. Unlike previous years, we will be including the contributor's poem in the post here, rather than in a separate parallel post on BillyBlog.
Regular "on the street" tattoos will take a break and resume here in May. For the last few months, I have been reaching out to poets nationwide, and collecting their tattoos to showcase here. You can check out the 2009 and 2010 poets in the index here.
Thanks to all who are involved, along with, but not exclusively, Stacey at the Best American Poetry blog, Dorianne Laux, and Patricia Carragon, who curates the Brownstone Poets, many of who are joining us this year.
Enjoy!
Regular "on the street" tattoos will take a break and resume here in May. For the last few months, I have been reaching out to poets nationwide, and collecting their tattoos to showcase here. You can check out the 2009 and 2010 poets in the index here.
Thanks to all who are involved, along with, but not exclusively, Stacey at the Best American Poetry blog, Dorianne Laux, and Patricia Carragon, who curates the Brownstone Poets, many of who are joining us this year.
Enjoy!
The Tattooed Poets Project: Michael Henry Lee
Today's tattoo was submitted by Michael Henry Lee:
There's a lot going on here, so let's let Michael explain:
Thanks to Michael Henry Lee for sharing his tattoo and his work with us here on Tattoosday!

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| Photo courtesy of Michael Henry Lee |
Michael also offered up several short poems, including some haiku:"The work pictured began about 36 years ago in Kansas City, Mo. I only remember the artist's name as John. The piece started with the stylized exotic bird's head that John took credit for as his own. A few years later I found the same piece on the back of a Mountain album cover. Imagine. Fast forward a couple of decades to a fantastic shop [Soul Expressions Tattoo Studio] in Temecula Ca. and an artist named Dan Adair. The sun and Conquering Lion of the Tribe of Judah were added there. The sun was David's design and the Lion comes from the Ethiopian flag borrowed from a Bob Marley album. The conceptual idea was mine and is meant to be symbolic of the Christian trinity: Father (as the sun), the Son (as the Conquering Lion) and our old buddy the bird (as the holy spirit). The seven is symbolic of the biblical number of completion and is repeated three times. The piece was just retouched and colored last year in Saint Augustine, Florida, by Tattoo Mike from Tattoo Garden."
"tattoo impressions"
van goes home
stepping out in a starry night (first appeared in graffiti kolkata Aug 2010)
~
tattoo garden
the blush returns
to mother's rose
~
What Love’s Got to do with It
It was rumored of late
that Love;
is suffering from a stolen identity
Eros has hacked into Agape
like the evil twin exchanged at birth;
Ying for Yang
The Pauper for the Prince
Cain for Abel
The imposter has taken control
using seduction and guile
to manipulate the hearts and minds
of whoever might be deceived
Love’s calling all investors
Setting the record straight
Distancing itself from a nefarious sibling
Love does not
sell cars, clothes, food, or personal hygiene products
Love knows
the grass isn’t greener in the next field,
and besides brown is highly underrated anyway
Love always makes deposits
but not withdrawals
Love is patient as water
smoothing stone
Love knows the worst
but hopes for the best
Love bites its tongue and swallows its pride
Love looks at the heart
not: boobs, biceps, or bank accounts
Love is the first one into a burning building
an the last one off a sinking ship
Love builds
Marriages
Families
and Nations
Love is an invisible necessity
like time, gravity, and oxygen
Love is beyond time and space
Eternal
Unconditional
a
gift
a promise
one poured out for all
that they
might
know
that
God
is
L
O
V
E
"What Love's Got to do with It" first appeared in Heart Pour The Love Book from Poet Plant Press, 2011
~
Michael Henry Lee is a husband, father and grandfather. He and his wife of 30 years reside in St. Augustine, Florida; the nation’s oldest city, along with two cats, and numerous bonsai trees.
Michael is a member of Ancient City Poets and the Haiku Society of America. The last Sunday of every month generally finds him at the Heart Pour Matinee; an open mic poetry reading that features seasoned artists as well as new talents.
Mr. Lee serves as contributing co-editor for Poet Plant Press, and is a frequent contributor to Haiku News, and Haiku Ramblings. His work has appeared in Berry Blue Haiku, and Graffiti Kolkata He was voted among the favorites in the 2009 Alibi Weekly annual haiku contest, and was awarded third place prize in the Yukei Teikei Annual Tokutomi Haiku Contest for 2010.
Mr. Lee is quoted as saying “my objective is to express the good news and mystery of life in every breath, through the simplicity of haiku”.
Thanks to Michael Henry Lee for sharing his tattoo and his work with us here on Tattoosday!
This entry is ©2011 Tattoosday. The poems are reprinted here with the permission of the author.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
Sabtu, 09 April 2011
The Tattooed Poets Project: Lorraine Conlin
Today's tattooed poet is Lorraine Conlin, one of several Long Island wordsmiths featured this month on the Tattooed Poets Project.
Lorraine offers up this beautiful tattoo on the upper right side of her back:
Lorraine gives us the background of this lovely La:
Thanks to Lorraine for sharing her tattoo and poem with us here on Tattoosday!

Lorraine offers up this beautiful tattoo on the upper right side of her back:
![]() |
| Photo courtesy of Lorraine Conlin |
"My first and only tattoo (so far), was self-designed with a bit of enhancement by Syxx, of Wyld Chyld Tattoo in Merrick, NY, where I co-host poetry events in their adjoining café. La is the Lilliputianized form of my original nickname, Lala. Before I said Mama or Dada, as most babies do, I uttered Lala and from that day forward, my family referred to me as their “little Lala”.
The name stayed with me and friends and business associates starting calling me “La”. While hosting the open mic at Wyld Chyld Tattoo & Café, I met Syxx, (Raymond Obrien) who is with the Metal Group, “The Saints of Pain”. He signed up to read one night and read something he had written. We started talking and I asked if I had any ink. I told him I was afraid of infection and I was allergic to lots of foods and meds. He asked me which ones and when I said sulfur, he said I could get any colors except yellow or any that had yellow in their composition. He was so reassuring, knowledgeable and gentle that I went home that night and started thinking about what to get and where I wanted it. I sketched it out and brought him the sketch. We made a date, he made the stencil and the rest is history."
Photo courtesy of Lorraine Conlin
Lorraine was kind enough to share this poem with us:
A Wannabe Fantasy
I told my shrink I wannabe a back warmersit on a bitch pad behind a biker guywrap my arms round his ape-hanger gripstraddle his bar-hopper bike on Friday nightsride with a big bearded chromosexual guycruise the big road to nowhere…I wanna goggle the horizon -- eat asphaltlet my puppies hang loosewear black leather chapsand a purple skid lid“I don’t think you do.” He saidYes, I doI love bikersespecially the B.U.G.sthe bigger, uglier the guythe harder they trythe better they make me feeltold him I rode hard and long with a fewbefore these confession sessionsHe said. “We have to stop now.”I found a new therapistshe loves to listento my biker-chick fantasiesrides along with mealways asks“How does that make you feel”…
~ ~ ~
Lorraine Conlin is a US Customs Broker at JFK Airport. She is on the BOD of The Long Island Poetry Collective, hosts “Tuesdays With Poetry” for Poets in Nassau, and co-hosts for PerformancePoets Association at Wyld Chyld Tattoo & Café in Merrick, LINY. Her work has been published in PPA Literary Review(s), LongIsland Sounds Anthology(s). Lorraine initiated and hosts Super Poem Sunday, where folks gather to celebrate the sport of poetry on Super Bowl Sunday. She is also the founder of the Long Island Poets for Darfur. Lorraine is currently working on her first book of poems.
Thanks to Lorraine for sharing her tattoo and poem with us here on Tattoosday!
This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
Jumat, 08 April 2011
The Tattooed Poets Project: Nescher Pyscher
Today's tattooed poet is named Nescher Pyscher and hails from Cambridge, Ohio.
Nescher offered up his right wrist for us here at Tattoosday:
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| Photo courtesy of Nescher Pyscher |
Nescher explains:
As a matter of clarification, I asked Nescher about the kanji representing his wife's name. He told me that the "three symbols mean--so I've been told--'Mother,' 'Earth' and 'Love.' " He added that she is a geologist, by occupation."The tattoo was done in two parts. The first part was my wife's name in Chinese, surrounded by an infinity symbol. It was my wedding present for her. I designed the tattoo myself, and I was inspired to do so by a ink-stamper-thing-y my wife's father brought home for her from China. The second part, my son's name, was my wife's Christmas present to me when our son was born. I do not remember the name of the tattoo studios or the artists, but both tats were procured in the Akron, Ohio area."
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| Photo courtesy of Nescher Pyscher |
As for his son's name, Geir, he clarified that his name means Spear, which is Icelandic or Norwegian, in origin. Nescher added that "names with value and freighted with meaning are important in my family. He is the strong weapon in my right hand, the spear we cast into the future."
As for a poem, Nescher, offered up this piece:
dustbitteni plant the seed of myself within myself--mutated, cloned, half-life-whole thatgropes toward darkening life--and watch the poisoned weed of me grow.i am the frozen feathers of a bird in flight,locked to dead tree, dying in estrous,decayed in birth, and forgotten before the windcould sweep through feathers.i am eye,i am face,i am eari am the frozen corpse at the bottom of the wellleaking into life; oozing into being;draining into dream and desirei am fisti am naili am bent, broken fingeri water the tumors of me with the salt of my tearsthe iron tang of my blood,the sweet toxin of my urine.i am teethi am tonguei am busily working lipsi eat my flesh, taken straight from crippled vineand wince at the taste of my self-inflicted pain,juices running unchecked down my pocked and hairlesschini am blisteri am burni am wounded, weeping soremy madness drives me, sings inside meand keeps me warmthe feel of meeting teeth on my broken skin feelslike warm rain in the evening;sun setting on life foreveri am stonei am fleshi am dust
~ ~ ~
Nescher Pyscher--his real name. Honest!--is a happily married, thirty-five year old author and poet living, writing and staying at home with his son in the Cambridge, Ohio area. His writing can be found at Weebly.com, Helium.com, Pablo Lennis, and his book of short stories, Itchy Whispers, is now available from Trafford or Amazon.com. His adventures in ineptitude with his son, The Pants, can be read twice weekly at The Daily Jeffersonian. Thanks to Nescher for sharing his tattoos and his poetry with us here on Tattoosday!
This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
Kamis, 07 April 2011
The Tattooed Poets Project: Sue Swartz
Today's tattooed poet, Sue Swartz, hails from Bloomington, Indiana, and offers up her forearm for all the world to see:
Sue explains:
And Sue offers up this poem:

![]() |
| Photo by John Narmontas |
This is a 2-part tattoo story. On my 54th birthday, I had the Hebrew word for truth (emet) imprinted on my right (i.e., writing) forearm in traditional black Torah script. I wanted a useful reminder for my art; also the word contains one letter that is a stand-in for life/God and two others that spell out the word “dead”. Okay, it was a little heavy. Two years later, this past November, when I couldn’t take looking at the damn truth anymore, Dina Verplank of Voluta Tattoo in Indianapolis beautified the baldness of the lone word with a branch from the Tree of Life and a spiral/root system.
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| Photo by John Narmontas |
MID-LIFE
Damn. Another 3 a.m. flying dream.
This time I’m on a cement slab hurtling toward over-grown lawns
covered with large plastic pigs and spiked coat hangers.
This is not what normal people dream.
Awake, I tilt (normal, not normal) on a giant seesaw of guilt
by association and realize:
I might not really know what normal is—
My dead – crazy bastards every one – left far too many clues,
though not one legible note of navigational instruction.
Minds overtaken by spirals and whirligigs, Greek letters
and the rising price of toilet paper, they wore the warp & weave
of their affliction stoically.
Seamlessly, one might say, and with understated finesse.
Running off to Florida on a Tuesday-morning whim:
In the realm of normal.
Snapped-on pills for breakfast:
Mildly normal.
Washing, washing again, again, again. Refusing to shake
the hand of strangers:
Undeniably normal (well, yeah – you never know
who’s got what).
With garments torn & heads made bare, they bob in and out
of traffic, sit close to me in restaurants, carefully chewing
with their electrode mouths.
My dead have secrets. That much is abundantly clear.
I listen for whispers of their generous madness, find
they’ve come while I’m asleep. Bad timing is all I’ve got.
That, and fingerprints left on the towels.
No, I don’t shush them away: then I’d lose the true nature
of everything. If I don’t know what normal is, why not
claim these people as kin?
How else to name my own impurities and small derangements?
~ ~ ~
Sue Swartz is a poet, hired-gun-political writer, amateur ballroom dancer, favored grandparent, social justice activist, occasional yogini, and creator of alternative Jewish ritual. Her work has been published in Cutthroat Magazine, Lilith, 5 a.m., SmartishPace, and elsewhere. She wishes she had a book you could buy. You can find her blog Awkward Offerings at http://swartzsue.wordpress.com/. She makes her home in Bloomington, Indiana and believes that Leviticus (You are not to make gashes in your flesh for the dead nor incise marks on yourself.) goes a bit overboard.
Thanks to Sue for sharing her truthful tattoo with us here on Tattoosday!
Thanks to Sue for sharing her truthful tattoo with us here on Tattoosday!
This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
Rabu, 06 April 2011
The Tattooed Poets Project: Noemi Soto
Today's tattooed poet is Noemi Soto, who sent us this lovely, colorful photo of her tattoo:
Noemi explains:
Danielle is currently tattooing out of Only You Tattoo in Atlanta, Georgia.
Noemi offers up this poem:
Back when I was younger
My mother tried to protect my heart
Always telling me to never bare my insides for a man
to never let him in fully so that he may devour what I hold dear
to not let a man do to me what had been done to her
Her backbone used to show signs of strength but now lacks the stamina to withstand the battle
She was once a woman so strong in her will
but with every man in her life taking pieces of her for themselves
she has now become a mere shell of herself
The stink of her childhood still lingering in her hair
I was witness to the tug of war my father and her used to play
saw the push and pull of their hearts
there was nothing unconditional about their love
not even when it came to me
there is nothing sentimental and heartfelt in the throwing of pots, pans and fists
“I love you” cannot be said through the gnashing of one’s teeth
So when it came time for my will to be tested
I acted on what I saw and not what I was told
What I was shown was that to be a woman meant having to bend your spine so far back to please your man that you broke yourself in two
To stretch those parts of yourself out so that you may give him the smoothest of surfaces in which he may stomp your hopes and dreams into
To ignore his faults and accept them as your own
How dare you even think otherwise?
I was taught that… to be a woman meant having to pick up the pieces that were left behind from his war path
making sure only your feet bled in the process to save his
Being a woman always meant never asking any questions
to let him roam and if he comes back … well… what more do you want?
I followed all of these lessons very carefully
made sure I folded the laundry just right
had dinner ready when he came home
and always made sure to give him his space
only to find myself face down on the floor, arms pinned behind me, with all of his weight pressing his right knee into my back
I waited until he left the room to get up
I stayed in silence
still willing to be the woman behind the man
Still willing to be the glass which he slammed his fist against
shattering any sense of self worth I had just for him
I began to wonder if this really was what it meant to be a woman or just the kind of woman who was so lost in herself that she was willing to let a man tell her what she should be
and if it did …. Then I had to learn to become my own woman
and I couldn’t do that by being underneath his thumb
So I bent back each one of his fingers till they snapped at the joints to show him how serious I was
It was the only way to break free
and while he screamed in pain and cursed me for having been born
I cleared a way for myself through the broken home which I was sure would last forever
letting him know that he no longer had a hold on me

![]() |
| Photo Courtesy of Noemi Soto |
"I designed the tattoo for myself during a pretty rough period after a major breakup about 6 years ago. I wanted it to represent the heartbreak that I was feeling at the time but still hold hope for the future. The artist who tattooed me was Danielle Distefano while she was working out of Dare DevilTattoo on Ludlow Street in Manhattan."
Noemi offers up this poem:
The Beginning is the End is the Beginning
Back when I was younger
My mother tried to protect my heart
Always telling me to never bare my insides for a man
to never let him in fully so that he may devour what I hold dear
to not let a man do to me what had been done to her
Her backbone used to show signs of strength but now lacks the stamina to withstand the battle
She was once a woman so strong in her will
but with every man in her life taking pieces of her for themselves
she has now become a mere shell of herself
The stink of her childhood still lingering in her hair
I was witness to the tug of war my father and her used to play
saw the push and pull of their hearts
there was nothing unconditional about their love
not even when it came to me
there is nothing sentimental and heartfelt in the throwing of pots, pans and fists
“I love you” cannot be said through the gnashing of one’s teeth
So when it came time for my will to be tested
I acted on what I saw and not what I was told
What I was shown was that to be a woman meant having to bend your spine so far back to please your man that you broke yourself in two
To stretch those parts of yourself out so that you may give him the smoothest of surfaces in which he may stomp your hopes and dreams into
To ignore his faults and accept them as your own
How dare you even think otherwise?
I was taught that… to be a woman meant having to pick up the pieces that were left behind from his war path
making sure only your feet bled in the process to save his
Being a woman always meant never asking any questions
to let him roam and if he comes back … well… what more do you want?
I followed all of these lessons very carefully
made sure I folded the laundry just right
had dinner ready when he came home
and always made sure to give him his space
only to find myself face down on the floor, arms pinned behind me, with all of his weight pressing his right knee into my back
I waited until he left the room to get up
I stayed in silence
still willing to be the woman behind the man
Still willing to be the glass which he slammed his fist against
shattering any sense of self worth I had just for him
I began to wonder if this really was what it meant to be a woman or just the kind of woman who was so lost in herself that she was willing to let a man tell her what she should be
and if it did …. Then I had to learn to become my own woman
and I couldn’t do that by being underneath his thumb
So I bent back each one of his fingers till they snapped at the joints to show him how serious I was
It was the only way to break free
and while he screamed in pain and cursed me for having been born
I cleared a way for myself through the broken home which I was sure would last forever
letting him know that he no longer had a hold on me
~~~
Noemi Soto is a Brooklyn, New York native who was born and raised in Coney Island and is a recent transplant to Queens. Her poetry has been featured in a variety of publications such as The Acentos Review, The Literary Burlesque, LitUp Magazine & South Jersey Underground. She is a Pushcart Prize nominee and is currently working on her first book. You can read more of her work at her website here.
Thanks to Noemi for her contribution to the Tattooed Poets Project!
This entry is ©2011 Tattoosday. The poem is reprinted here with the permission of the author.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
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